
While never having studied photography formally, his mother worked as a photographic assistant for Magnum for much of his adolescence and young adulthood.

His early work was more traditionally documentary based, developed during global travels. While living in in South Africa, however, his style evolved from observational and journalistic to interactive and artistic. His interest was with South Africa's poor white underclass - a group who was virtually unknown to the wider world.
With so much hatred and racial tension in South Africa at the time, Ballen has said that he wanted to neutralise the issues, to make photos that could be from anywhere and speak universally. He sees his work as both documentary and aesthetic in intention, and is drawn to subjects who are "archetypal".

..."I'm really a perfectionist when it comes to formal aspects of images. On the other hand, the type of content I'm dealing with - the people, the places - are completely imperfect (in most people's definition)... [It balances] an inherent tension between the imperfect and the perfect." (Ballen in 'Self portrait : The work of Roger Ballen', a film by Saskia Vredeveld).
Check out his website here.
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